No time to watch a violinist in the metro

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This is a particularly interesting story relating to how little time we spend looking around us, appreciating the simplest things… or in this case, the masterpieces under our noses…

A man stood at a metro station in Washington DC and started to play the violin on a cold January morning. He played six Bach pieces for about 45 minutes. During that time at rush hour, it was calculated that thousand of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds, then hurried up to meet his schedule.   A minute later, the violinist received his first dollar tip: a woman threw money in the till and without stopping continued to walk.   A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again.  Clearly he was late for work.
The one who paid the most attention was a 3 year old boy.  His mother tagged him along, hurried but the kid stopped to look at the violinist.  Finally the mother pushed hard and the child continued to walk turning his head all the time.  This action was repeated by several other children.  All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while.  About 20 gave him money but continued to walk their normal pace.  He collected $32.  When he finished playing and silence took over, no one noticed it.  No one applauded, nor was there any recognition.

Who was this violinist?  Joshua Bell, one of the best musicians in the world.  He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.  Two days before his playing in the subway, Joshua Bell sold out at a theatre in Boston and the seats average $100.

Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and priorities of people.   The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty?  Do we stop to appreciate it?  Do we recognize the talent in an unexpected context?

So, how many other things are we missing?

2008 Los Angeles Playboy Jazz Festival

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We were invited to the 2008 International Playboy Jazz Festival.

It was great.  Friends of ours included in their 20 year old regular outing at the festival where we saw a few great bands.  I have to admit, it's great seeing the last few old school jazz players of this world.  Al Jarreau was playing with his grand-daughter.  He still has it.

If you have never been there, give it a try next year.  The music is good and the atmosphere is, well like a big gigantic open party where some people get a little too drunk.

Music Sweet Music

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I've always loved music.

From my tender age of sneaking around
trying to find out which Pink Floyd album my parents got me for
Christmas to using iTunes to reclaim those lost golden years tunes, I've always
loved music.  It's always been a big part of me.  I've played drums for a few local bands and sang in semi-professional.  Music has accompanied me throughout life.

I started looking back into my 80's upbringing a few years ago, and I am surprised with what I there was.  There were tunes that were inspiring, that captured the meaning of my 80's like none other.  Need help?  Listen to Water Front by Simple Minds.  To date, I feel that song sets the mood of the 80s.  And yes, most people think of "Like A Virgin" by Madona as the poster child of the 80s, but there was much more to this period than that.  There was an underground accomplishment of a revolution that started decades ago.  Those who listened to the famous John Peel session or in France, La Voix Du Lezard know what I am talking about.  My rekindling lately is with  The Lords Of The New Church.

The Lords had a healthy pedigree,  The Dead Boys, The Dammed, etc .  What was special with The Lords was a mix of punk and melody.  What was also interesting was that they were the meeting point between US and English Punk, two very different beasts.

They might be well rememebered by their cover of "Live For Today", or their number one hit "Russian Roulette".  Still my favorite, and it's a devilish one is their cover of the then brand new "like A Virgin" by Modona.  It was well done and with plenty of sarcasm.  That was the 80's I liked.

There was a lot of movement back then.  It wasn't all  pop.  There were the incredible Stranglers, The Psychedelic Furs, The Smiths, The Cure, Inspiral Carpets, Wall Of Voodoo, etc., there were some very innovative underground things that a younger generation is rediscovering today.

I don't miss it and I like to listen to it today.  It reminds me that pop music never really cuts it and that the wheel gets reinvented all the time.